“The outcome was a visceral display of the title itself as Sullivan, cast in the role of Hannah-before, and Bouk, as Hannah-after, were never out of sync in their actions or singing.…"
Chris Ruel, Operawire |
Bouk’s brilliant contralto voice is allowed to blossom with his vocal line featuring a beautiful melismatic motif... Bouk reached the top of his range…with velvety smoothness and control.”
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Liz Bouk, as Sarah, voiced a compelling and beautifully transformative story. He effortlessly drew listeners into a personal realm that explores the unknown with courage, self-love and compassion.”
Jennifer Pyron, OperaWire |
“Mezzo Liz Bouk was a stand-out with his dark, perfectly rounded tone.”
Gabrielle Ferrari, Parterre “Charming” David Roberts, TheatreReviews “Touching” Bobby McGuire, The Broadway Blog |
“Queen Ann of Jutland, portrayed by the fascinating Mr. Liz Bouk whose regal appearance, expressive face and body, and arresting contralto voice lent verisimilitude to the characterization.”
Voce di Meche, dell'Arte Opera Ensemble's PRINCESS MALEINE, 2019 |
“As Amparo, we really liked Elizabeth Bouk, whose Komponist in Utopia Opera's Ariadne auf Naxos we recently reviewed. Her mezzo-soprano is clean and pleasant to hear and she has a winning stage presence which made us care about this 18-year-old not-so-innocent. We liked her aria about her origins in Barcelona, daughter of a fish monger and a sailor, trying to advance herself in this world. “
Voce di Meche, dell'Arte Opera Ensemble's Rosina, 2015 |
“Elizabeth Bouk sang the courtesan Amparo quite well, and gave even the predictable passages about the courtesan's life and her difficult upbringing charm and beauty.”
Taminophille, dell'Arte Opera Ensemble's Rosina, 2015 “Elizabeth Bouk’s Amparo was a good time girl with a sense of humor about herself.” Gay City News, dell'Arte Opera Ensemble's Rosina, 2015 |